Sunday, October 13, 2013
Long long time
I would really like to know if my writing is bad. I think it's shitty. When I read my old posts I cringe or just get bored.
I've been without internet for a while and now I have an IPad which I keep accidentally calling an IPod. Anyway, looking back over old posts, the ones I liked the best had a little or no text and just some cool pictures. Depending on how I feel I'm either going to go back and edit my semi-recent wordy posts, or just make some new ones. I've seen some pictures I like that I want to put up.
I'll be back tomorrow.
Saturday, March 2, 2013
Breeders LSXX
This spring The Breeders are going on tour and 4AD is putting out a deluxe re-issue of Last Splash called LSXX for the 20th anniversary of the albums original release. You can get either the 7- disc vinyl set or the 3- disc CD set (both have the same tracks.
LSXX is:
The full album
The full Live In Stockholm concert
A disc of demos and BBC recordings
Four EPs from that era-
Safari
Cannonball
Divine Hammer
Head To Toe
(In the vinyl collection the EPs are on 10" discs)
What I really want is the box and the booklet of photos and artwork. I can't wait to see it.
Friday, February 22, 2013
New idea
So I'm finally on the internet again and all of this thinking about The New Yorker has given me and idea for this blog: What if, instead of writing every day or every once in a while, what if I posted once a week, say, every Monday, and it was one big post, kind of like a weekly magazine.
And each week there'd be a little of everything: a movie review, an article about new songs on the radio or what was good on TV that week, there could be a section on various things to look forward to in the coming week, like books that are coming out or new albums.
Like I said before, I don't read The New Yorker. It's a good magazine but it doesn't really interest me. Still, I like the format. I could do an article on some random subject (and then fact-check like crazy) and then I could write a short story or two. I'm not funny but maybe I could draw some cartoons. They just won't be funny.
The only thing is, I don't have a scanner so that will make it really hard to add any visual material.
This could be a lot of fun. I'm gonna be busy with work over the next couple days and with the storm coming tomorrow I'm gonna be staying at a friend's house overnight so it's gonna be a while before i make these changes, if I do.
Tuesday, February 19, 2013
Tom Wolfe and William Shawn Hooking Up
My new obsession started in 2004, or at least, it was set in motion then- I was at Ocean State Job Lot looking at their discount books (they have hardcovers for $2 or $3) and in the same section they had books on CD. There weren't many audiobooks there but one looked good: "Hooking Up" by Tom Wolfe. All I knew was "Bonfire of the Vanities" and the white suit, and I had read "The Right Stuff" recently and liked it. Hooking Up was a 6 CD set and it was $2 or $3 so I got it and started listening in my car right away.
The "Hooking Up" CD set is a collection of essays- some read by Wolfe, others by Ron Rifkin- and I was surprised by how interesting they were. Made me wish I had a long car trip to make. There are two essays that I like especially: "Two Young Men Who Went West" (the two young men are Josiah Grinnell, the founder of Grinnell College in Grinnell, Iowa in the 1900s and a later resident of Grinell, Robert Noyce who went on to found Intel) and "My Three Stooges" (the stooges are Norman Mailer, John Updike, and John Irving).
"My Three Stooges" (read by Wolfe; the essays that he reads come across better) was about an event that I didn't hear about at the time but wish I had- though I do remember seeing Wolfe on the cover of Time. "My Three Stooges" tells the story of how Wolfe's second novel "A Man In Full" came out in 1997 or 1998, was well-received (by The New York Times, Wall Street Journal, and Newsweek) well publisized (Vanity Fair and that Time cover story), and sold huge amounts of copies (a shitload of books were sold) and not long afterwards Norman Mailer and John Updike reviewed the "A Man In Full" and said that it wasn't real literature, it was entertainment; and Wolfe wasn't a novelist, he was just a reporter. John Irving came out against Wolfe later in a TV interview.
The details of the story are interesting and fun to read and it gets better as Wolfe talks about realistic, fact- based novels vs. literary novels that are abstract and not connected to life in America (or anywhere else). I'm going on too long here and I haven't even gotten to my obsession. Here it comes. The audiobook, I found out years later, doesn't have everything that's in the book "Hooking Up". The book, which I bought before Christmas, also has a novella called "Ambush At Fort Bragg" about a network news show going after three soldiers that they suspect murdered a fellow soldier. The novella had originally been published in Rolling Stone and was meant to be a part of "A Man In Full" but didn't end up fitting in with the rest of the story. But that's not even the good part. At the end of the book the re-print a two-part article that Wolfe wrote for The New York tribune, a parody of The New Yorker and profile of its editor William Shawn.
In the article he says that Shawn, in an effort to keep the magazine exactly as it was under the control of its founder and original editor Harold Ross, has made The New Yorker dull and boring. Wolfe also tells stories about William Shawn and his quiet, cautious manner and says that the main reason that Shawn is so guarded is because he believes that he was an intended target of Leopold and Loeb who considered kidnapping him but instead killed a younger classmate, Bobby Franks. Wolfe's editor sent an advance copy to William Shawn and Shawn wrote to the Tribune's owner to try to convince him to withhold the article. The editor leaked the letter and it all turned into a big news story in Time and Newsweek. So, both parts of the article are re-printed in Hooking Up, plus there are two (too-) short essays- one setting the scene of how the idea for the article came about and how it was researched and written, and another at the end telling about the outcry from various New Yorker writers, including a telegram from JD Salinger.
Anyway, I just got my computer working again so I spent last night looking up info on The New Yorker, William Shawn, Harold Ross, and Lillian Ross (William Shawn's mistress and author of a book about their 40 year affair "Here But Not Here"). The funny thing is, usually, unless there's an essay from David Sedaris inside, I don't even read The New Yorker.
The "Hooking Up" CD set is a collection of essays- some read by Wolfe, others by Ron Rifkin- and I was surprised by how interesting they were. Made me wish I had a long car trip to make. There are two essays that I like especially: "Two Young Men Who Went West" (the two young men are Josiah Grinnell, the founder of Grinnell College in Grinnell, Iowa in the 1900s and a later resident of Grinell, Robert Noyce who went on to found Intel) and "My Three Stooges" (the stooges are Norman Mailer, John Updike, and John Irving).
"My Three Stooges" (read by Wolfe; the essays that he reads come across better) was about an event that I didn't hear about at the time but wish I had- though I do remember seeing Wolfe on the cover of Time. "My Three Stooges" tells the story of how Wolfe's second novel "A Man In Full" came out in 1997 or 1998, was well-received (by The New York Times, Wall Street Journal, and Newsweek) well publisized (Vanity Fair and that Time cover story), and sold huge amounts of copies (a shitload of books were sold) and not long afterwards Norman Mailer and John Updike reviewed the "A Man In Full" and said that it wasn't real literature, it was entertainment; and Wolfe wasn't a novelist, he was just a reporter. John Irving came out against Wolfe later in a TV interview.
The details of the story are interesting and fun to read and it gets better as Wolfe talks about realistic, fact- based novels vs. literary novels that are abstract and not connected to life in America (or anywhere else). I'm going on too long here and I haven't even gotten to my obsession. Here it comes. The audiobook, I found out years later, doesn't have everything that's in the book "Hooking Up". The book, which I bought before Christmas, also has a novella called "Ambush At Fort Bragg" about a network news show going after three soldiers that they suspect murdered a fellow soldier. The novella had originally been published in Rolling Stone and was meant to be a part of "A Man In Full" but didn't end up fitting in with the rest of the story. But that's not even the good part. At the end of the book the re-print a two-part article that Wolfe wrote for The New York tribune, a parody of The New Yorker and profile of its editor William Shawn.
In the article he says that Shawn, in an effort to keep the magazine exactly as it was under the control of its founder and original editor Harold Ross, has made The New Yorker dull and boring. Wolfe also tells stories about William Shawn and his quiet, cautious manner and says that the main reason that Shawn is so guarded is because he believes that he was an intended target of Leopold and Loeb who considered kidnapping him but instead killed a younger classmate, Bobby Franks. Wolfe's editor sent an advance copy to William Shawn and Shawn wrote to the Tribune's owner to try to convince him to withhold the article. The editor leaked the letter and it all turned into a big news story in Time and Newsweek. So, both parts of the article are re-printed in Hooking Up, plus there are two (too-) short essays- one setting the scene of how the idea for the article came about and how it was researched and written, and another at the end telling about the outcry from various New Yorker writers, including a telegram from JD Salinger.
Anyway, I just got my computer working again so I spent last night looking up info on The New Yorker, William Shawn, Harold Ross, and Lillian Ross (William Shawn's mistress and author of a book about their 40 year affair "Here But Not Here"). The funny thing is, usually, unless there's an essay from David Sedaris inside, I don't even read The New Yorker.
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