Friday, January 29, 2010
"Velouria" Pixies
Velouria (1990) Pixies
Velouria was a single from the Pixies Bossanova (1990) LP. It's not in my Pixies Top Ten, or even Top Twenty, but it's a good song that sets a mood.
I like the colors in the photography here. The reds and oranges glow. (And it's much better than the "Dig For Fire" sleeve, which is kind of washed-out and dull.)
"King"-era
Now They'll Sleep (1995) the first single from
King (1995) followed by Seal My Fate (1995) (which we'll talk about later)
and finally Super-connected (1995)
I think the King-era images- both photos and designs are very hit-or-miss. In some cases, like the inside of the Now They'll Sleep CD case (the top image above), it's the right combo of photo and design. In other cases, it's ok photos covered by ok designs (like the outlines of clubs, spades, hearts, and diamonds that are used in a few of the images above).
design: Chris Bigg photography: Chris Gorman
Labels:
Belly,
King,
Now They'll Sleep,
Super-connected
The backs of the "Star"-era singles
Inside the "Star"-era singles
Slow Dust EP (1992)
Feed The Tree (1993)
Gepetto (1993)
I love the insides of the Star-era singles. They've all got the same format: One full half will be a grouping of the Belly logos in two colors, one smaller image, and then a certain color with the text over it, listing the songs (twice) and the band members.
I'm excited because tonight I was able to track down the one I've never seen- The Feed The Tree inside image (unfortunately it's a little blurry).
Here they are, all together at last*.
*I'm including one back image- the back of the Gepetto EP 12" because it follows the same format and I love that it uses the photo from the front cover of Star.
Wednesday, January 27, 2010
Prince "The Hits/The B-sides"
The Hits/The B-sides 3-disc collection (1993) Prince
For Christmas 1993 I got the Janis 3-disc box set and The Hits/The B-sides and listened to both all winter. I wasn't crazy about all the songs included on The Hits; the new songs were weak, plus all the songs were in random order- it's like there was no plan. I do remember that CD One was made up of the cleaner songs while CD Two had songs like "Gett Off" and "Sexy MF".
Mostly I listened to The B-sides. It has the Purple Rain and Around the World in a Day- era songs like "17 Days" and "She's Always In My Hair", plus "4 the Tears in Your Eyes" from We Are The World.
Like most people I stopped buying Prince records after The Hits/ The B-sides. Come was alright, but that's it. I don't think he did another good song until "Black Sweat".
"Firepile" from "Red Heaven" and "The Curse"
Firepile (1992) from the
Red Heaven LP by Throwing Muses
and their live CD The Curse
In 1992, TM put out their first album without Tanya Donelly. Firepile was released as a single (there are two versions- one has the album version of Firepile, one has a remix) with covers, instrumentals, live tracks, and new songs.
One has:
"Manic Depression"
"Snailhead"
"City of the Dead"
Two has:
"Jak"
"Ride into the Sun"
"Handsome Woman"
The Curse was recorded live in London and features older songs like "Fish", the B-side "Cottonmouth", and songs from Red Heaven.
Tuesday, January 26, 2010
The "Star" front cover
Star (1993) Belly
For all the times I've posted images from the Star CD, record, and cassette sleeves I don't think I've ever put up the front cover. It's one of my favorite pictures. I love the way the colors work together, plus the bold primary colors in the "Belly" logo. It's perfect.
The back cover should be familar to regular visitors- it's been the RJ Battles banner for a long time. Another great photo, and again, great color choice for the lettering.
design: Chris Bigg photography: Chris Gorman
GusGus
The "King" Book
Alternate Cyndi Lauper
"Black Sabbath" Final Girl Film Club, January 2010
Black Sabbath (1963) directed by Mario Bava
Final Girl Film Club
Hello Final Girl Film Club members,
This is my second time joining in the FGFC (see Amityville II: The Possession) and I'm happy to do it again.
I enjoyed Black Sabbath and I can see why people like it. I don't know that I would recommend it to someone my age or younger. It's quaint. Like O. Henry's Full House, you could say, "Oh, Marilyn Monroe has a small part in it". With BS you could say, "Oh, the guy from How The Grinch Stole Christmas hosts it and stars in the final segment". Other than that, I don't know.
Had I grown up with it I might think it was scary and suspenseful. I still think Amityville II is very scary and disturbing but what would a younger person watching it today for the first time think of it? Would they be able to get into it and get creeped out by it?
I watched BS the way I would watch an episode of Days of Our Lives from 1963. Not involved in the story, just watching thinking, "OK, this is how storytelling was done back then".
So I go to Hulu and start watching. In the narration Boris Karloff is made to look "scary" through lighting, reflections, and camera angles. He still looks pretty good (he was born in 1887, isn't that crazy?); this is 3 years before The Grinch and 6 years before his death in 1969.
The first story- the woman in the bed- is quick and simple; it's well done and it sets a mood, it's just totally lacking in any surprise. At every turn you know exactly what's going to happen.
My problem with the second part is: I can't explain what happens. I don't know exactly. I have a feeling it might not make perfect sense. It's the phone calls I think. Is the guy a ghost? Why is he calling (or is it simply to scare and upset her?) and is he using a cell phone? After I watched the movie I looked it up- I hadn't caught the fact that the woman was a "high-priced call girl". I guess there were clues there that I missed- it wouldn't be the first time. I just thought she was a woman coming home after a cocktail party or a date. Was she counting a roll of cash or taking out her diaphram while I got up to grab my cigarettes?
The third and final story features Karloff as a Russian grandfather in the 1800s. He has left his family and gone off to kill a vampire who has been terrorizing the countryside. A man seeking shelter from the family finds the vampire's headless corpse at the beginning so we know the grandfather has succeeded. Still, the family is worried- the grandfather pre-warned them that if he doesn't return within 5 days that means he has become a vampire himself and they should not let him in.
When he comes back late it's clear to everyone that he's changed but nobody wants to accept it so they're cautious (though, really, not cautious enough- how could any of them sleep that night? I know it's wintery and cozy and on any other night I myself would be all snuggled in, but come on. He looks messed up, possibly high, and he orders his son to shoot his favorite dog when it won't stop barking. Then he focuses on the kid- "Can't I fondle my own grandson?" They're reluctant, but after a moment of hesitation it's, "Sure. Fondle away.")
The grandfather kills the whole family and the rest of the segment is all about the doomed love affair between the traveller and one of the daughters, the one who looks like Lily from The Munsters. By the way, I forgot to mention the main character in the first story. I don't want to be mean- she is actually pretty. But I kept thinking she looks a lot like Jack Lemmon in Some Like It Hot.
Anyway, it was all good and I'm glad I got to see Black Sabbath. But like I said, I'm not recommending it; check out Amityville II.
Check out the Final Girl blog here: http://finalgirl.blogspot.com/
Final Girl Film Club
Hello Final Girl Film Club members,
This is my second time joining in the FGFC (see Amityville II: The Possession) and I'm happy to do it again.
I enjoyed Black Sabbath and I can see why people like it. I don't know that I would recommend it to someone my age or younger. It's quaint. Like O. Henry's Full House, you could say, "Oh, Marilyn Monroe has a small part in it". With BS you could say, "Oh, the guy from How The Grinch Stole Christmas hosts it and stars in the final segment". Other than that, I don't know.
Had I grown up with it I might think it was scary and suspenseful. I still think Amityville II is very scary and disturbing but what would a younger person watching it today for the first time think of it? Would they be able to get into it and get creeped out by it?
I watched BS the way I would watch an episode of Days of Our Lives from 1963. Not involved in the story, just watching thinking, "OK, this is how storytelling was done back then".
So I go to Hulu and start watching. In the narration Boris Karloff is made to look "scary" through lighting, reflections, and camera angles. He still looks pretty good (he was born in 1887, isn't that crazy?); this is 3 years before The Grinch and 6 years before his death in 1969.
The first story- the woman in the bed- is quick and simple; it's well done and it sets a mood, it's just totally lacking in any surprise. At every turn you know exactly what's going to happen.
My problem with the second part is: I can't explain what happens. I don't know exactly. I have a feeling it might not make perfect sense. It's the phone calls I think. Is the guy a ghost? Why is he calling (or is it simply to scare and upset her?) and is he using a cell phone? After I watched the movie I looked it up- I hadn't caught the fact that the woman was a "high-priced call girl". I guess there were clues there that I missed- it wouldn't be the first time. I just thought she was a woman coming home after a cocktail party or a date. Was she counting a roll of cash or taking out her diaphram while I got up to grab my cigarettes?
The third and final story features Karloff as a Russian grandfather in the 1800s. He has left his family and gone off to kill a vampire who has been terrorizing the countryside. A man seeking shelter from the family finds the vampire's headless corpse at the beginning so we know the grandfather has succeeded. Still, the family is worried- the grandfather pre-warned them that if he doesn't return within 5 days that means he has become a vampire himself and they should not let him in.
When he comes back late it's clear to everyone that he's changed but nobody wants to accept it so they're cautious (though, really, not cautious enough- how could any of them sleep that night? I know it's wintery and cozy and on any other night I myself would be all snuggled in, but come on. He looks messed up, possibly high, and he orders his son to shoot his favorite dog when it won't stop barking. Then he focuses on the kid- "Can't I fondle my own grandson?" They're reluctant, but after a moment of hesitation it's, "Sure. Fondle away.")
The grandfather kills the whole family and the rest of the segment is all about the doomed love affair between the traveller and one of the daughters, the one who looks like Lily from The Munsters. By the way, I forgot to mention the main character in the first story. I don't want to be mean- she is actually pretty. But I kept thinking she looks a lot like Jack Lemmon in Some Like It Hot.
Anyway, it was all good and I'm glad I got to see Black Sabbath. But like I said, I'm not recommending it; check out Amityville II.
Check out the Final Girl blog here: http://finalgirl.blogspot.com/
Labels:
Amityville II,
Black Sabbath,
Final Girl Film Club
Friday, January 22, 2010
Aimee Mann "Bachelor #2"
Bachelor #2 (1999) Aimee Mann
It's still my favorite AM album (Lost in Space and I'm With Stupid are tied for second place). Some of the songs were used in, and inspired, the movie Magnolia. The US version of the album doesn't include "Save Me", which is too bad, but the album is so good it doesn't need it.
By the way, all the Magnolia cast members star in the "Save Me" video, which was directed by Paul Thomas Anderson. It could've been so good and instead is a big boring disappointment.
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